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The way

The personal and the professional are inseparable from each other. Below one can see the context of development. It was painstaking work lasting a lifetime.

Art, 2026
In 2026 I decided to establish myself as an artist, so two exhibitions in London appeared, a couple
of interviews and a couple of magazine publications. It quickly became clear that being part of the art market and being only an artist in it does not suit me at all and is not interesting to me.
Exhibitions:
The Holy Art, 17-20 July 2026, 200 Battersea Park Road, London SW11 4ND
Untitled art fair, 24-26 July 2026, Old Town Hall, Chelsea, Kings Road, London, SW3 5EE

Media
Personal, 2018-2025
These are works that guided me and my family for seven years. They helped us reassemble ourselves, figure things out, find solutions.

The themes that emerged in them shaped the story of our lives. Professional qualities, discipline, relationships with my husband, my daughter, my parents, strength, balance, intimacy...
2025, pause
This year I briefly returned to interior work, to take some time to think. I also finished a few of my own paintings and painted very little - only as gifts.
2024, fluid and energy
Shape and color appear, which form the space. The experience was overwhelming. The paintings "started talking" and began to lead people into a new state. All the works have been sold or donated.
2024, signs
At some point, unique signs began to appear. It was an experience of learning that there is more to it than just paintings. Most of the works were made to order, some appeared on their own, went for gifts or were sold.
Tools, 2022-2023
I gained unique skills and experience in managing form and color at the School of Contemporary Art and in additional courses.
Tools, 2018-2021
Signs of sacred geometry and other skills of working with colour appeared. Almost all pictures went around the world for gifts and gave me a lot of experience of how deeply such paintings work.
Turn, 2017-2018
Before that, I was just carried away, but something happened. It's time to take my life to my hands. That's why I moved to India. But my home and family ended up in England.
Coincidences, 2015-2017
After India, it was decided to draw. Oil and watercolor. After a while, I began to encounter meanings, emotions
or directly things from paintings in real life. For example, exactly such men's shoes were found two years later in my husband's wardrobe (whom we met much later than the painting itself), etc . Literally everything began to happen.
Pictures are leading, 2014
Small watercolors began to appear and lead to events. Symbolically or directly. At first it was an interesting coincidence. So, "by chance", I ended up in India to meet the purple cow and the elephant Lakshmi)

And also, to paint and sell a meter-long portrait, for the first time in an evening, painted in oil on canvas for an Indian mafia baron.
Interiors, 2012-2017
Interior design, paintings on the walls - apartments, houses, a couple of restaurants, participation in the restoration of the Stanislavsky Electrotheatre, office building for an oil company in Kazakhstan.
The search for a place, 2009-2012
Working in an architectural studio, escaping to Montenegro in search of idleness,
a year later rushed back and returned to interiors.
Context, USSR - 2008
The first studio in 80`s, the hard 90`s in Volgograd, Faculty of Philology at the University and job on TV channel. 2002 moved to Moscow, own the creative agency at the age of 25, after three years - the complete destruction of everything and restoration piece by piece.